Conference production company.
Conferences, AGMs and awards nights — the production company you bring in when the event has to happen on time, look like the brand, and get a clean post-event report on your desk by Monday.
What’s in a conference production
Conferences are the events that make or break a comms calendar. They’re the AGM the City watches, the sales kickoff that sets the year, the awards night the team remembers, the partner conference the regional director presents to. The technical brief is rarely the hard part — what makes them work is a producer who’s run a hundred of these and a rehearsal calendar that doesn’t slip.
Stage and set design
Stage layout, set treatment, branding, presenter positioning. Designed for the venue you’ve booked — not a one-size-fits-all template. If the brand needs scenic that goes beyond a backdrop, our sister studio Big Purple Build picks up the build.
Sound, lighting, video
Full AV under one shared producer — see the Audio Visual page for the full breakdown. The conference team and the AV team share a producer, so the kit decisions and the run-of-show decisions get made together.
Run-of-show and presenter support
Run-of-show document built with you in week one and rehearsed by tech week. Presenter rehearsal scheduled — confidence monitor, autocue if it’s wanted, and a producer cueing them in. The CEO doesn’t walk on cold.
Hybrid and livestream
If half your audience is in the room and half is on Manchester / London / Madrid Zoom, our sister studio Big Purple Capture runs the broadcast feed. Vision mixing, livestream platform integration, two-way Q&A, recorded for on-demand afterwards.
Filming and post-event content
The keynote you’ll want next year. The board montage. The 90-second highlight reel for LinkedIn. Capture handles all of it — usually filming on the day, edit delivered inside a fortnight.
Selected conference work
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NEPIC Awards Dinner
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NWG Innovation Festival 2020
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BALTIC – Recurring corporate events
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CIPD Annual Conference
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How we run a conference
Brief and discovery (week 6+ before)
First conversation, venue check, stakeholder interviews. We come back with a one-page response, a producer named, a high-level kit list and a budget shape.
Design and approvals (week 4–5)
Stage design, run-of-show v1, AV plan, hybrid plan if needed. Sign-off from the comms team and procurement before we book anything.
Production (week 2–3)
Suppliers locked, presenter rehearsal scheduled, run-of-show v2 with full timings, contingency plan documented, Capture’s filming brief agreed.
Tech rehearsal (week of)
On site for the build. Full tech rehearsal with presenters the day before. Final run-of-show signed off and printed.
Show day and debrief
We run the day. Post-event report inside a week — what worked, what we’d lift, what’s worth changing for next year.
